Lucas Cranach the Elder Read in another language

Born
Lucas Maler
c. 1472
Kronach
Died
16 October 1553 (aged 81)
Weimar
Known for
Painting
Movement
German Renaissance
Patron(s)
The Electors of SaxonyCranach had a large workshop and many of his works exist in different versions; his son Lucas Cranach the Younger and others continued to create versions of his father's works for decades after his death. He has been considered the most successful German artist of his time.[1]

He is commemorated in the liturgical calendars of the Episcopal and Lutheran churches.Lucas Cranach the Elder (German: Lucas Cranach der Ältere German pronunciation: [ˈluːkas ˈkʁaːnax dɛɐ̯ ˈʔɛltəʁə], c. 1472 – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion.Lucas Cranach the Elder
Read in another languageHe was born at Kronach in upper Franconia (now central Germany), probably in 1472. His exact date of birth is unknown. He learned the art of drawing from his father Hans Maler (his surname meaning "painter" and denoting his profession, not his ancestry, after the manner of the time and class).[2] His mother, with surname Hübner, died in 1491. Later, the name of his birthplace was used for his surname, another custom of the times. How Cranach was trained is not known, but it was probably with local south German masters, as with his contemporary Matthias Grünewald, who worked at Bamberg and Aschaffenburg (Bamberg is the capital of the diocese in which Kronach lies).[3] There are also suggestions that Cranach spent some time in Vienna around 1500.[2]

From 1504 to 1520 he lived in a house on the south west corner of the marketplace in Wittenberg.[4]

According to Gunderam (the tutor of Cranach's children) Cranach demonstrated his talents as a painter before the close of the 15th century. His work then drew the attention of Duke Frederick III, Elector of Saxony, known as Frederick the Wise, who attached Cranach to his court in 1504. The records of Wittenberg confirm Gunderam's statement to this extent that Cranach's name appears for the first time in the public accounts on the 24 June 1504, when he drew 50 gulden for the salary of half a year, as pictor ducalis ("the duke's painter").[3] Cranach was to remain in the service of the Elector and his successors for the rest of his life, although he was able to undertake other work.[2]

Cranach married Barbara Brengbier, the daughter of a burgher of Gotha and also born there; she died at Wittenberg on 26 December 1540. Cranach later owned a house at Gotha,[3] but most likely he got to know Barbara near Wittenberg, where her family also owned a house, that later also belonged to Cranach.[2]Signature of Cranach the Elder from 1508 on: winged snake with ruby ring (as on painting of 1514)

Woodcut

For the origins of the technique, development in Asia, and non-artistic use in Europe, see Woodblock printing. For the related technique invented in the 18th century, see Wood engraving.Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas.

Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in the same block. They became popular in Europe during the latter half of the 15th century. A single-sheet woodcut is a woodcut presented as a single image or print, as opposed to a book illustration.

Since its origins in China, the practice of woodcut has spread across the world from Europe to other parts of Asia, and to Latin America.

Andean civilizations

The Andean civilizations were a patchwork of different cultures and peoples that mainly developed in the coastal deserts of Peru. They stretched from the Andes of Colombia southward down the Andes to northern Argentina and Chile. Archaeologists believe that Andean civilizations first developed on the narrow coastal plain of the Pacific Ocean. The Norte Chico civilization of Peru is the oldest civilization in the Americas, dating back to 3200 BCE.

Despite severe environmental challenges, the Andean civilizations domesticated a wide variety of crops, some of which became of worldwide importance. The Andean civilizations were also noteworthy for monumental architecture, textile weaving, and many unique characteristics of the societies they created.

Less than a century prior to the arrival of the Spanish conquerors, the Incas, already established in Peru, united most of the Andean cultures into one single state which encompasses all of what is usually called Andean civilization. The Muisca of Colombia and the Timoto Cuica of Venezuela remained outside the Inca orbit. The Inca Empire was a patchwork of languages, cultures and peoples.

Spanish rule ended or transformed many elements of the Andean civilizations, notably influencing religion and architecture.